Showing posts with label Alexander Watt. Show all posts
Showing posts with label Alexander Watt. Show all posts

Monday, December 24, 2012

Paris Bistro Cooking 6,200 Miles From France



There is a book called The Art Of Simple French Cookery by Alexander Watt, a notorious gourmet who spent much of his life lounging around in Gallic restaurants, which perfectly captures the essence of the Parisian bistro in the 1950s.

No doubt beginning his day with pastis, moving on to red wine, and then finishing the night on brandy, Watt would gorge himself on bistro classics such as poularde Marie-Louise, boeuf en gelee, rognons a la moutarde, gibelotte de lapin, and always a plate of seasonal cheeses.

The accounts of his “gastronomic peregrinations” are a joy to read, as is his book, Paris Bistro Cookery, which adjoins the back of The Art Of Simple French Cookery like an upside down Siamese twin. As you flick through the pages, you can picture Watt swaying in the doorway of tiny Parisian kitchens, disrupting service as he scrawls into a grease-spattered notebook.

And something tells me he would have approved of La P’tite France, 6,200 miles away in Phnom Penh, and the cooking of its chef-owner Didier. I wasn’t lucky enough to go to his original, much smaller venue, just off the Riverside. But foodies fondly recall it as a typical bistro – friendly, cramped, tables pushed together, noise and tobacco smoke drifting over the cheeseboards. They recall with gluttonous, lip-smacking memories, the splendid simplicity of the dishes – always a severer test of a kitchen’s ability than the fancy stuff.

La P’tite France has since moved to a beautiful villa on Street 306, and people who know tell me the food is even better. But everything comes at a cost – in this case a less chirpy, more formal ambience, they say. So it was with these thoughts and the longing for Gallic classics like confit duck, terrines, and oysters flown in from France, as our tuk tuk arrived at the plush gates and garish pink sign of Didier’s new home.

For 8pm on a Saturday night, business was steady rather than busy, and we chose a table on the patio giving a glimpse of the Khmer chefs in their whites beavering away in the kitchen. Around us sat pudgy, well-dressed French men doing what they do best – discussing food while gorging themselves like foie gras geese to a chorus of ooh la las.

There were specials on the blackboard – including tripe and scallops – but sadly they’d sold out of oysters, which our waiter said arrive every Friday.



The service was smooth and brisk, and a little plate of amuse bouche quickly arrived – two slices of baguette topped with tomato, olive, and melted cheese that were a little ordinary, and certainly not needed considering the enormous portions that followed.



My $5.25 starter of marrow bone gratin with toast and a saucer of fleur de sel was exquisite. The gooey, oozing, fatty, beef shin marrow melted in your mouth and was a reminder – at half the price and far more generous – of the similar signature dish at St John restaurant in London, which food writer Anthony Bourdain claims is the best dish he’s eaten.


My friend’s starter of whelks with garlic mayonnaise ($6.25) was very good too – no trace of grit, and a wonderful, fresh, fossily taste of the sea. But if I were to be properly critical, the garlic should have been chopped much finer, and the aioli was lacking in the richness it should deliver in its perfect form.

Mon Dieu this man knows his onions though. And that view was confirmed by the main courses. Each part was a model of how it should be cooked, with such assurance, such taste, and such old-fashioned virtue.



My $11.50 braised pork shank with cep confit, sitting on a bed of choucroute, and winged by two turned potatoes, was enormous and fell apart as I dug in. It was an exceptional dish and showcased every part of Didier’s cooking skills.



My friend kept uttering appreciative noises as he ate his $12.50 braised lamb shank nestled on creamy flageolet beans, steeped in garlic. It came with a ramekin of fiery Tunisian harissa paste that brought the whole dish alive.

Our bellies bursting, and with the true taste of France dancing on our taste buds, we looked at the dessert menu, boasting dark chocolate mousse, poached pears, tarte tatin et al. But as any French cook will tell you, every good Gallic meal should end with cheese, so we shared a platter ($6.50) that came with a roof-of-the-mouth-etching Roquefort that would have made King Charles VI proud, and certainly the finest French bread – baked daily by Didier and his crew – I can remember having in Asia.



By golly it was an incredible meal. The cooking was sublime, and the only downside was the eagerness of the well-drilled, immaculately-turned-out Khmer waiters to snatch our plates at every opportunity. It’s certainly not a place for night owls or loiterers. By 10pm we were the last table to clear, and felt slightly hurried to vacate that beautiful, rare spot of leafy sanctuary in the steamy streets of Phnom Penh.

The frogmarching, if you will, aside, I’d heartily recommend it to food lovers, and anyone wanting a romantic notion of what it must have been like before French colonialists were finally booted out of Cambodia. A pocket of history, a pocket of gastronomic excellence. It may not have the informal, neighbourhood dive ambience of a true bistro, but I know Watt would have greeted the cooking with appreciate applause.

La P’tite France, #38, Street 306, Phnom Penh, 016 64 26 30. Meal for two, including drinks and service: $65

:: My bestselling food book Down And Out In Padstow And London is available in paperback and Kindle
To read an edited extract published in Caterer and Hotelkeeper Magazine click here...

Thursday, August 30, 2012

When Did Cooking Disappear Up Its Own Arse?



I finally persuaded a friend to lend me his vintage copy of The Art Of Simple French Cookery by the superbly named Alexander Watt, a notorious gourmet who spent much of his life lounging around in bistros - a name he tells us originated around the fall of Napoleon, when ravenous Russians encamped in Paris would wander around shouting “bistro, bistro!” (meaning “quick, quick” in their nasal tongue) as they entered cafes looking for something to eat.

No doubt beginning his day with pastis, moving on to red wine, and then finishing the night on brandy, Watt would gorge himself on bistro classics such as poularde Marie-Louise, boeuf en gelee, rognons a la moutarde, gibelotte de lapin, and always a plate of seasonal cheeses.

The accounts of his “gastronomic peregrinations” are a joy to read, as is his book, Paris Bistro Cookery, which adjoins the back of The Art Of Simple French Cookery like an upside down Siamese twin. As you flick through the pages, noting the splendid simplicity of the dishes, you can picture Watt swaying in the doorway of tiny Parisian kitchens, disrupting service as he scrawls into a grease-spattered notebook.

In one introduction, he quotes Alexandre Dumaine, the celebrated proprietor of the Hotel de la Cote d’Or, at Saulieu, and at the time of writing in the 1950s, a man widely considered to be the greatest chef in France, remarking that “the simplest dishes are often the most difficult to prepare to perfection”. And it got me thinking about when modern cooking finally disappeared, irretrievably, up its own arse.

Talk to chefs and food writers now and they’re obsessed with 480-hour slow-braised pork, moss infusions, locally-picked weeds, ingredient reversals, baby vegetable purees, quintuple-cooked chips, and anything else they can jam into a sous vide bath. When they’re not boring you to death about acidifier particle accelerators or the optimum water bath temperature for mackerel, they’re waffling on about their new £2,000 Swiss gelato machine, or their latest experiment with meat glue.

“I’ve been transglutaminasing duck skin on to chicken legs - it’s wonderful for the barbecue,” I honestly heard one food nerd say the other day.

It was at a highly pretentious food convention I’d been invited along to. Everyone had to bring something. There were the predictable, umami-filled burgers, stacked full of shaved ambergris, sun-crisped tomatoes and parmesan, and vac-packed offerings that had been poaching away since Christmas. All the vegetables were hand cut, the fruit hand picked, there were twin shots of soup, and trifles with fancy labels boasting of Amontillado sherry. The bread was savoury enriched or griddled or both, the cheese shaved, the custard thick set, the apples brandy-stewed, and of course the stilton soufflés were twice-baked and organic. And that was just the less pompous stuff.


Celebrity chef Ted Allen cooks a recipe from his new book Pretentious Foodie Bullshit...




It was a haven of unadulterated pretentiousness, and I would like to have said I felt out of place, but of course I went along with the head-nodding and the nerdy chat about flavour enhancers, emulsifiers, and the mysterious night-time activities of enzymes. When it came to my own offering, I suddenly became quite embarrassed.

“How long did you confit the chicken?” they wanted to know.

“Definitely vac-packed with the marinade,” someone else butted in.

“What, and then flash-seared?” another serious-looking, where’s-my-TV-show, wannabe asked.

How could I tell them I’d knocked up the marinade in the two minutes I had to rush out of the door for a forgotten appointment?

When I’d returned a few hours later, having left instructions for the chicken thighs to be taken out of the fridge after a few hours and then roasted, something magical had happened. The chicken was almost falling apart. The colour was a rich gold, and the jelly left behind made the best dripping sandwiches I’ve had in a long time.

But it was the reaction that was the biggest surprise. The food bores were licking their lips and going back for more, and the hyperboles came so thick and fast, I began to fear it was some sort of cruel joke. But no, the superlatives continued.

How could I tell them the truth? All the meals I’d spent days slaving over, spanking my wallet with expensive, unnecessary ingredients, and I’d never had such praise in my life. And it was for a chicken dish that could hardly have been simpler to make, and one that I hadn’t even cooked myself. I fended off the questions and then wandered off to a corner of the patio to ring my accomplice for the secret. How long had it been in there? What temperature? Top of the oven or bottom?

“Can’t remember, I just put it in the oven,” she slurred.

As people kept pressing me for the recipe, I was too embarrassed to confess its simplicity, and then I stopped myself. I thought about Paris Bistro Cookery, and how the chef Auguste Perrot had taken pleasure in preparing the simplest of dishes for the exclusive gastronomic Club de la Casserole. Dishes like Foies de Volaille Andre (chicken livers fried in butter with finely chopped onions), and Les Tomates Lucien (basically scrambled eggs with tomatoes).

Had cooking skills advanced so much that these lowly dishes are now to be pitied, I thought? I remembered Dumaine’s words: “Cooking is not just a matter of pressing buttons. One should forget the gadgets and the tricks...” So I told them the truth and they quickly became bored and went back to their PacoJets.

Here is my embarrassingly simple recipe with a highly pretentious title, named after the cook who can’t remember how she cooked it...

CHICKEN MARIE-ANNE (serves 4)

8 chicken thighs, with skin
2 Teaspoons Paprika
1 Teaspoon Turmeric
1 Teaspoon Garam Masala
3 Tablespoons Sunflower Oil
2 Cloves Garlic, crushed
1 Teaspoon Salt

Put the salt and garlic cloves in a vintage, hand-crafted pestle and mortar, and bash away for a few seconds. Put in a bowl, add the spices and oil and mix until you’ve got a thick paint. Dip each thigh in the marinade, making sure they are thoroughly coated. Cover with clingfilm and leave in the fridge for three hours. Pre-heat an oven to an unknown temperature. Put the thighs on a metal tray and get someone to cook them for you. Or as a Russian encamped on the Place de la Concorde might say today: “Simples.”